Blog

30 Face Drawing Ideas for When You're Bored

August 14, 2026 · 7 min read

The hard part of drawing isn't drawing. It's deciding what.

Which is a bigger problem than it sounds, because the deciding is where the giving-up happens. Nobody abandons a drawing halfway. They abandon it before the first stroke, standing in front of a blank thing with no idea what belongs on it, and then conclude they can't draw. So the list below isn't inspiration. It's a way to skip that step entirely: pick a number, draw the thing, don't negotiate with yourself about whether it's a good idea.

So: thirty prompts. Draw them where they'll be seen if you can. Tag walls make this better, because every hashtag on our open wall collects the faces filed under it, and you can go look at everyone else's version of the prompt you just did.

A sleepy face: half-closed eyes drawn as short downward curves.#1, the alarmA winking face: one dot eye, one closed curved eye, mouth tilted up.#7, money in a jacketA shouting face: wide open mouth, eyebrows angled down.#3, Monday 9 a.m.A face with freckles across the cheeks and a wide smile.#9, self-portrait, flattering
Four from the list below. All under ten strokes.

How to use a list like this

Pick by number rather than by preference. Scrolling for the one you like best is the same stalling wearing a different coat.

Give each prompt about two minutes. That's long enough to make decisions and short enough that you're not defending them afterwards. If one turns into something you genuinely care about, stay on it as long as you like — that's the good outcome, not a rule being broken.

And don't try to do all thirty. Three is a session.

Expressions (1–8)

Start here if you're starting anywhere. The face barely matters for these: move the eyebrows and the mouth and the rest of the drawing can stay lazy, because people read the emotion before they read anything else on the page.

People (9–16)

Drawing someone real is a different job from drawing a face. You're not chasing a likeness. You're after the one or two things that make that person recognisable, which is nearly always hair, glasses, or a single feature they'd name themselves if you asked.

Do these from memory instead of from a photo. Memory has already thrown away everything that didn't matter, and that editing is the job you'd otherwise be doing by hand.

Constraints (17–24)

Constraints are the fastest way to make a face interesting. They force decisions you'd never make on purpose.

The trick is holding the rule at the exact moment it starts making things worse, because that's where the results you couldn't have planned come from. Everyone's instinct at that point is to allow themselves one small exception. Don't.

A face wearing round glasses with a small smile.#20, circles onlyA face with a thick mustache drawn as one horizontal mass.#22, thickest brush onlyA face with grey shading down one side, drawn with the highlighter tool.Highlighter, one pass
The third one is the highlighter at low opacity. A single pass down one side is the whole shading method.

Moods (25–30)

Moods sit between the other two groups. There's no particular person to picture and no rule to obey, just a feeling you have to find a face for, which makes these the closest this list gets to drawing from nothing.

They're also the ones most worth doing twice, a week apart. You'll draw a different face.

Where these came from

Most of them are things people had already drawn on the open wall, which is a better source than anything I'd have come up with at a desk.

That's also why they lean towards ordinary moments rather than dramatic ones. Nobody sits down to draw triumph. They draw the face they made when the alarm went off, and that one turns out to be universal in a way the grand emotions aren't.

If you invent a better prompt than any of these, draw it and tag it. That's how the next thirty get written.

When a prompt refuses to work

Some of them won't land, and it's usually not the prompt's fault.

The common cause is that you've pictured a finished drawing before making a single stroke, and now every line is failing to match it. The way out is to start with the part you're sure about — the hair shape, the mouth, whatever arrived first — and let the rest of the face arrange itself around that. A face assembled outward from one confident feature nearly always works. A face traced from an image in your head nearly always doesn't.

Failing that, move to the next number. There are twenty-nine others and none of them mind.

Turning a list into a habit

Thirty prompts last about a week and a half at three a session, and then you're back where you started, which is the actual problem this list doesn't solve.

What does work is attaching the drawing to something that already happens. One face while the kettle boils. One on the train. The drawing isn't the habit — opening the thing is, and a prompt just removes the last excuse not to.

The hashtags turned out to help here in a way I didn't plan for. Filing your attempt under #oneline means that in a month you can open that tag and find your own drawings sitting between strangers', in order, which is a more honest progress report than a folder on a laptop is ever going to give you.

If you did these on paper, photograph the good ones or don't. Nobody's checking.

If you drew them on the wall, tap one to watch it replay stroke by stroke, and tap a hashtag to wander. Thirty strangers all drawing 'Monday 9 a.m.' turns into something worth scrolling.

Keep reading